The Core Program awards postgraduate residencies to highly motivated, exceptional visual artists and critical writers who have completed their undergraduate or graduate training and are working to develop a sustainable practice.
The Baltimore Museum of Art (BMA) has extended the application deadline for the Meyerhoff-Becker Curatorial Fellowship to February 15, 2019. The selected fellow will receive a full-time residency based in Baltimore, Maryland for one year beginning May 2019, along with round-trip travel expenses and a 40,000 USD salary with benefits.
Howardena Pindell (American, b. 1943) explores the intersection of art and activism in her powerful ouevre. What Remains To Be Seen spans the New York–based artist’s five-decades-long career, featuring early figurative paintings, pure abstraction, and conceptual works, as well as personal and political art that emerged in the aftermath of a life-threatening car accident in 1979.
The Frye Art Museum is pleased to announce Tschabalala Self, the artist’s first solo museum exhibition in the United States. Opening simultaneously is the US west coast debut of the collective Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian, as well as an immersive installation by Seattle-based dance artist Jody Kuehner featuring daily performances by her drag-clown alter-ego Cherdonna Shinatra and dance company DONNA.
RAW Material Company is delighted to announce its 2019 program, including artists residencies, public forums, upcoming sessions of RAW Académie and exhibitions, with new friends and old.
Above: “MORNING THE BROKEN WEEL” 1986″ on the reversewatercolor and collage on board11 x 14 in. (27.9 x 35.6 cm.) American African American, the latest selling exhibition from Phillips New York auction house presents an extensive collection of over 60 postwar and contemporary works from well-known and emerging African American artists.
Above: Ebony G. Patterson. Untitled Species VIII (Ruff) . . . , 2012. Mixed media on paper, 65 3/4 x 50 inches.
When I asked Awa Ndiaye Samb, curator of the soon-to-open Museum of Black Civilization (MBC) Dakar, whether it was usual in Senegal that the curatorial team of such an institution, the first of its kind, was predominantly led by women, her response was brusque.
The Museum of Contemporary Art North Miami (MOCA) will present a groundbreaking exhibition celebrating the founding of AfriCOBRA – the black artist collective that defined the visual aesthetic of the Black Arts Movement of the 1960s and 1970s.
When Art Basel arrived in Miami Beach in 2001, collectors, jet-setters, visual artists, curators and administrators, and lovers of all-things-cultural on South Beach, flooded the area and satellite locations.
