Black and Basel 2018
When Art Basel arrived in Miami Beach in 2001, collectors, jet-setters, visual artists, curators and administrators, and lovers of all-things-cultural on South Beach, flooded the area and satellite locations.
Black and Basel: Who made money at Art Basel Last Week
Above: Non-Orientable Nkansa II, 2017 by Ibrahim Mahama. White Cube, Installation, Mixed media. Courtesy of Art Basel/White Cube. Art Basel signature had quite a few artists from the African diaspora on view and pieces by black artist sold.
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Above: Painting by Solomon Adufa. Arts and culture are essential for building a community, supporting the development and contributing to economic opportunity.
Black and Basel™: Top picks for Black art during Art Basel Miami Beach
Art Basel Miami Beach begins in a few weeks, and the art community is packing their bags for a world wind of activity.
![If you or your folks will be in Miami for Memorial Day, please support this phenomenal project. Via @johannerahaman
BlackFlorida: waterRIGHTS, will be exhibited on a floating 40’ screen, close to the shore on South Beach, from from 5-7 PM on Saturday May 25th. .
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I attempted to do it last Urban Beach Weekend and an unexpected storm blew plans away. Then @oolitearts Oolite Arts presented the project an Ellies Award 💕💕💕 so here I am, back at it again in 2019 thanks to funding from Oolite Arts and the @knightfdn Knight Foundation. .
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Here’s an excerpt from a feature last May in the Miami New Times, by Taylor Estape: “Rahaman started the project in 2014, around the same time she began shooting photos in South Beach during Urban Beach Week. Though crowds of out-of-town revelers aren't as open to Rahaman's more narrative approach to the Black Florida Project, the event nevertheless embodied what first drew her to capturing the spirit of the African diaspora in the United States. "It feels like home," Rahaman reflects. "It feels like being in Trinidad getting ready for carnival, getting to the parade route. Even though there’s no parade, there’s this sense of merriment, of excitement, of family. It feels like everyone knows each other even though they don’t. There’s this sense of community." Despite this vibe, politicians and land owners in South Beach have been trying to shut Urban Beach Week down for years. This year [2018], the City of Miami Beach has made a concerted effort to draw visitors indoors via cultural events. Its more insidious tactics include paring down traffic on the MacArthur and Julia Tuttle Causeways to one lane in order to scan the license plates of every vehicle entering the city. The narratives of increased crime and debauchery — conspicuously absent for similar, nonblack events such as Pride Week — are exactly what Rahaman's work attempts to combat. So it seemed only natural to bring the Black Florida Project to Urban Beach Week in an exhibition titled “Water Rights””.
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#waterrights #theellies #fromthesouthtothesouthernmost #johannerahaman #blackflorida #oolitearts #knightarts #urbanbeachweek #blacklove #blackjoy #resistance](http://scontent-lax3-1.cdninstagram.com/vp/e1f7a8659d1030d0175ae149fa0428d0/5D6C4718/t51.2885-15/sh0.08/e35/c219.0.1001.1001/s640x640/58410214_315377732723152_2011437072624998017_n.jpg?_nc_ht=scontent-lax3-1.cdninstagram.com "If you or your folks will be in Miami for Memorial Day, please support this phenomenal project. Via @johannerahaman
BlackFlorida: waterRIGHTS, will be exhibited on a floating 40’ screen, close to the shore on South Beach, from from 5-7 PM on Saturday May 25th. .
.
I attempted to do it last Urban Beach Weekend and an unexpected storm blew plans away. Then @oolitearts Oolite Arts presented the project an Ellies Award 💕💕💕 so here I am, back at it again in 2019 thanks to funding from Oolite Arts and the @knightfdn Knight Foundation. .
.
Here’s an excerpt from a feature last May in the Miami New Times, by Taylor Estape: “Rahaman started the project in 2014, around the same time she began shooting photos in South Beach during Urban Beach Week. Though crowds of out-of-town revelers aren't as open to Rahaman's more narrative approach to the Black Florida Project, the event nevertheless embodied what first drew her to capturing the spirit of the African diaspora in the United States. \"It feels like home,\" Rahaman reflects. \"It feels like being in Trinidad getting ready for carnival, getting to the parade route. Even though there’s no parade, there’s this sense of merriment, of excitement, of family. It feels like everyone knows each other even though they don’t. There’s this sense of community.\" Despite this vibe, politicians and land owners in South Beach have been trying to shut Urban Beach Week down for years. This year [2018], the City of Miami Beach has made a concerted effort to draw visitors indoors via cultural events. Its more insidious tactics include paring down traffic on the MacArthur and Julia Tuttle Causeways to one lane in order to scan the license plates of every vehicle entering the city. The narratives of increased crime and debauchery — conspicuously absent for similar, nonblack events such as Pride Week — are exactly what Rahaman's work attempts to combat. So it seemed only natural to bring the Black Florida Project to Urban Beach Week in an exhibition titled “Water Rights””.
.
.
#waterrights #theellies #fromthesouthtothesouthernmost #johannerahaman #blackflorida #oolitearts #knightarts #urbanbeachweek #blacklove #blackjoy #resistance")