Art Main Feature front page Tony Agbapuonwu Preserves Ben Enwonwu’s Legacy and Indigenous Knowledge Systems at Anyanwu, The New Light byRejoice Anodo
World-building beyond Place-making: How Black Artists are Sustaining their Social Practice beyond the Sao Paulo Biennial byDiane Enobabor
Undiscovered Abuja 3.0: A Conversation with Curator Adetiloye Jekami and Artist Uba Christopher Ifeanyi byRejoice Anodo
2025 Black Art Guide to Miami Art Week and Art Basel Miami Beach byMelissa Hunter DavisDecember 1, 2025
World-building beyond Place-making: How Black Artists are Sustaining their Social Practice beyond the Sao Paulo Biennial byDiane EnobaborOctober 28, 2025
Undiscovered Abuja 3.0: A Conversation with Curator Adetiloye Jekami and Artist Uba Christopher Ifeanyi byRejoice AnodoSeptember 17, 2025
Sugarcane MagMarch 11, 2023 Zimbabwe’s NoViolet Bulawayo’s Glory Longlisted for 2023 Women’s Prize for FictionThis Week in African Art and Culture (March 5 – 11, 2023) byRoli O’tsemaye
Main Feature front pageMarch 4, 2023 This Week in African Art and Culture: Brand Center Established for African and African Diaspora Art, and more byRoli O’tsemaye
Sugarcane MagFebruary 25, 2023 This Week in African Art and Culture : Zineb Sedira at Hamburger Bahnhof, Senegalese Curator N’Goné Fall Announced as a Jury President for Dekoloniale Berlin Residency 2023,and more byRoli O’tsemaye
Sugarcane MagFebruary 18, 2023 This Week in African Art and Culture (February 12 – 18, 2023) byRoli O’tsemaye
Sugarcane MagFebruary 14, 2023 Established Nigerian multidisciplinary artist, Soji Adesina is set to present new works in a solo exhibition titled Colour of the Coloured: Layered Pigments in Belgium with A.D. Art Space in Antwerp. byRoli O’tsemaye
Main Feature front pageFebruary 11, 2023 This Week in African Art and Culture: 1:54 Notes, Kapwani Kiwanga to Represent Canada at 2024 Venice Biennale and more byRoli O’tsemaye
