Roberts Projects to present Betye Saar: New Work, February 24 – April 27, 2024. Occupying the intersections of historic narrative and ancestral memory, factitive ritual and metaphysical truth, this exhibition is testament to Saar’s enduring legacy as a pioneer of Assemblage art and an American cultural icon. Referencing the tradition of accumulative sculpture that characterizes artistic conventions, Saar’s mixed-media assemblages emerge from a unique succession of gestures that meaningfully build upon each other. This process of accumulation takes aesthetic objects with profound epistemic weight—such as vintage wooden boxes, found objects and photographs—and thoroughly transforms them into mythical entities compounded by historical time.
As a key figure in the Black Arts Movement of the mid-20th century, Betye Saar’s prolific and interdisciplinary practice draws from personal narratives and cultural histories of the Black and African diaspora to make sacred connections between the quotidian and the sublime. Her symbolically rich body of work has evolved over time to demonstrate the environmental, cultural, political, racial, technological, economic and historical context in which it exists.
Saar’s work is in over 80 museum collections including: The Metropolitan Museum of Art; Whitney Museum; Smithsonian National Museum of African American History and Culture; National Gallery of Art; Studio Museum in Harlem; Los Angeles County Museum of Art. In 2018, the Museum of Modern Art acquired 42 important early works, making their holdings the largest public collection of Saar’s artwork.
Since 1961, Saar has been represented in over 900 exhibitions. Current exhibitions include: Betye Saar: Drifting Toward Twilight, The Huntington Library, Art Museum and Botanical Gardens, San Marino, CA (November 11, 2023 – November 25, 2025); Paraventi: Folding Screens from the 17th to 21st Centuries, Fondazione Prada, Milan, Italy (October 25, 2023 – February 26, 2024); Entangled Pasts: 1768 – Now, Royal Academy of Arts, London, UK (February 3 – April 28, 2024); Mapping an Art World: Los Angeles in the 1970s-80s, Museum of Contemporary Art, Los Angeles, CA (June 18, 2023 – Mar 17, 2024); Cooking Cleaning Caring: Care Work in the Arts since 1960, Josef Albers Museum Quadrat, Bottrop, Germany (October 22, 2023 – March 03, 2024); Artist’s Choice: Grace Wales Bonner – Spirit Movers, Museum of Modern Art, New York, NY (November 18, 2023 – April 7, 2024); Groove: Artists and Intaglio Prints, 1500 to Now, Hammer Museum, Los Angeles, CA (December 16, 2023 – June 16, 2024); Betye Saar: Atlas | The Alpha and the Omega, Fondazione Prada, Milan, Italy (2021-present).
Saar’s early observance of Simon Rodia’s building methodology in constructing the Watts Towers in Los Angeles introduced her to ideas of how found materials can simultaneously embody both the spiritual and physical. This objective—paired with her personal interest in metaphysics, magic and the occult—formed the origin of Saar’s assemblage works. Subsequent series after her iconic work The Liberation of Aunt Jemima (1972) have sought to reveal marginalized or hidden histories, and Saar has long examined the social invisibility of Black Americans in service-oriented jobs, the construction of racial hierarchies based on skin tone within Black communities and the ways that objects can retain the memories and histories of their owners.
The Betye Saar Catalogue Raisonné Project was established in 2016 to preserve Saar’s artistic practice and educate future generations about her significant contributions to American art history. For additional information, please visit betyesaarcatalogueraisonne.org
