Devan Shimoyama: Cry, Baby
Devan Shimoyama: Cry, Baby
Above: Devan Shimoyama, Tasha, 2018, Courtesy of the artist.
The Andy Warhol Museum announces Devan Shimoyama: Cry, Baby, opening October 13, 2018. Devan Shimoyama: Cry, Baby will mark the first museum solo exhibition of Devan Shimoyama, Philadelphia-born painter, and professor at Carnegie Mellon University. Spanning his burgeoning career, this exhibition includes painting, photography and sculpture, and a series of new works that will be on view for the first time.
In figurative painting and self-portraiture, Shimoyama creates vulnerable yet resilient depictions of African American boyhood and masculinity. His work challenges cliché with daring and personal representations of the complexities of race and sexuality. In his recent barbershop paintings, Shimoyama transforms the hyper-masculine social space into a queer fantasy where feminine glamour and fashion take over, and tender depictions of boys don floral capes and glitter-encrusted hair.
“It’s so rewarding to be working with Devan Shimoyama at such an early point in his career,” said Jessica Beck, Milton Fine curator of art. “His work balances pain and strength, intimacy and isolation with an ease and lightness that is captivating and memorable. His joyful yet deeply emotional portraits create space for a necessary, critical dialog around intimacy, sexuality, and race.”
Shimoyama creates two distinct worlds—one an enchanted paradise, the other a queer imagining of the African American barbershop. Celebrated for fraternity and community, Shimoyama presents the barbershop as space where young men and boys can feel shamed and vulnerable. In sculpture, he creates objects of mourning for Trayvon Martin and Tamir Rice, both examples of the aggressive targeting of African American youth as fearful or threatening. While canvases feel joyful and celebratory, they also present commentary on pain and sorrow. Teardrops lurk in the background of his landscapes or stream down the faces of his figures as a reminder of the racial injustices at work in contemporary society. Shimoyama presents a world where race, sexuality, and identity can operate from the point of freedom generated by inner strength.
This exhibition, on view through March 17, 2019, makes a unique connection to The Andy Warhol Museum’s permanent collection and brings to light contemporary insight into one of Warhol’s most significant and yet most overlooked painting commissions, the Ladies and Gentlemen series of 1974 -75. Visitors will find Shimoyama’s work in dialog with Warhol’s portraits of drag queens on the fourth floor of the museum’s permanent collection. “Shimoyama’s confident and daring depictions of sexuality, race and queer performance help reclaim the agency and visibility that Warhol’s models have been denied,” says Beck. “The juxtaposition will offer a unique opportunity to bring the Ladies and Gentlemen paintings out from the shadows.”
Born in 1989 in Philadelphia, Shimoyama received his Bachelor of Fine Arts in drawing and painting from Pennsylvania State University in 2011, and his Master of Fine Arts from Yale University School of Art in 2014. Shimoyama has exhibited widely at galleries throughout the United States, including De Buck Gallery, Lesley Heller Gallery, and Bravin Lee Programs in New York; Samuel Freeman Gallery in Los Angeles; Alter Space in San Francisco; and Emmanuel Gallery in Denver. His work was also included in Realities in Contemporary Video Art at the Foundation des Etats Unis, in Paris in 2015.
In 2019, Holland Cotter selected Shimoyama as one of the The New York Times’ 19 Artists to Watch; His work has been written about in The Los Angeles Times, New American Paintings, Pinwheel, the blog Filthy Dreams, and Saatchi Art. In 2016, Shimoyama was named the winner of the Miami Beach PULSE Prize at PULSE Miami Beach. He is currently represented by De Buck Gallery in New York and is the Cooper-Siegel Assistant Professor of Art in the School of Art at Carnegie Mellon University. Shimoyama lives and works in Pittsburgh.
The exhibition will be accompanied by an illustrated catalog with essays by Jessica Beck, Alex Fialho, and Rickey Laurentiis and an interview by Emily Colucci with the artist.
To complement the exhibition, a robust schedule of public programs is being organized throughout Pittsburgh. Rashaad Newsome, renowned multi-disciplinary artist, will make his Pittsburgh premiere of Shade Compositions at the Carnegie Music Hall. Other events include a partnership with the Center for African American Poetry and Poetics at the University of Pittsburgh and a closing dialog with Shimoyama and the exhibition catalog contributors.
Devan Shimoyama: Cry, Baby is curated by Jessica Beck, The Milton Fine Curator of Art at The Andy Warhol Museum.