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Dallas Black Dance Theatre’s Cultural Awareness Highlights World Premieres and Timeless Classics by Master Choreographers
January 27, 2023
bySumaiyah Wade
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 This Week in Black Art and Culture: Andre Leon Talley Estate at Christie’s, Mickalene Thomas at Dior, Adrienne Warren and Jimmy Cole Onstage, Winfred Rembert Estate at Hauser and Worth

bySumaiyah Wade
The latestView All

Dallas Black Dance Theatre’s Cultural Awareness Highlights World Premieres and Timeless Classics by Master Choreographers

bySumaiyah Wade

 This Week in Black Art and Culture: Andre Leon Talley Estate at Christie’s, Mickalene Thomas at Dior, Adrienne Warren and Jimmy Cole Onstage, Winfred Rembert Estate at Hauser and Worth

bySumaiyah Wade

NXTHVN EXHIBITION EXALTS THE CULTURAL AESTHETICS UPHELD BY BLACK AND BROWN ECOSYSTEMS

bySumaiyah Wade

Sir John Akomfrah to Represent Great Britain at the Venice Biennale 2024

byMelissa Hunter Davis
Sugarcane Magazine  ™| Black Art Magazine Sugarcane Magazine  ™| Black Art Magazine
Sugarcane Magazine  ™| Black Art Magazine Sugarcane Magazine  ™| Black Art Magazine

Dallas Black Dance Theatre’s Cultural Awareness Highlights World Premieres and Timeless Classics by Master Choreographers

bySumaiyah Wade
January 27, 2023

 This Week in Black Art and Culture: Andre Leon Talley Estate at Christie’s, Mickalene Thomas at Dior, Adrienne Warren and Jimmy Cole Onstage, Winfred Rembert Estate at Hauser and Worth

bySumaiyah Wade
January 27, 2023

NXTHVN EXHIBITION EXALTS THE CULTURAL AESTHETICS UPHELD BY BLACK AND BROWN ECOSYSTEMS

bySumaiyah Wade
January 26, 2023

Sir John Akomfrah to Represent Great Britain at the Venice Biennale 2024

byMelissa Hunter Davis
January 24, 2023

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January 17, 2023

Speculation: Notes on the Work of Ada Patterson and Arnaldo James

byGervais Marsh
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November 27, 2022

Exhibits at SCAD Museum of Art Establish an Arts Education Giant By Daricia Mia DeMarr

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A Critical Analysis of Alexis Alleyne-Caputo’s Photography by Matt LaVine

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Genevieve Gaignard: Strange Fruit at Vielmetter Los Angeles By Angela N Carroll, Editor at Large

byAngela N Carroll
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William O. Golding: Memoric Retrospections of a Black Mariner By Ian Carstens

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REVIEW: CLAUDIA RANKINE’S ‘THE WHITE CARD’ LEAVES AUDIENCES WITH MUCH TO UNPACK

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