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Sugarcane Magazine ™| Black Art and Culture
Daily Archive

September 10, 2019
September 10, 2019
Sugarcane Mag
Western Nouveau: New Work by Thomas Blackshear

Trailside Galleries is pleased to present Western Nouveau, a show of new works by Colorado based artist Thomas Blackshear. The newest collection of studio works will be available to view from September 9 through September 21.

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September 10, 2019
Sugarcane Mag
Mare Projets Debuts New Exhibition September 13

Above: Untitled, 2018, Oil on Canvas by Raelis Vasquez. Curator Tiffany Ward presents an exhibition of works created during the inaugural Mare Residency September 13 through October 13, 2019.

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  • Good afternoon world! Work by @brandon_deener “Untitled Study” 2019® Acrylic on Canvas 8” x 10” - - #AcrylicPainting #JohnColtrane #JazzLegend #ArtCollector #BlackArt #BlackHistory #BlackPride #aLoveSupreme #aBrandonDeenerOriginal
  • Lets have fun! We can put work, geo-politics and moving through crowded airports aside . Drop your thesis title below! . . #art #illustration #drawing #draw #picture #photography #artist #dutchwax #sketchbook #paper #nigerianartist#burnaboy #artsy #masterpiece #creative #photooftheday #instaartist #graphic #graphics #artoftheday #blackartistspace #ukartist #supportblackart #blackart #blackartist #dswartist #darkskinwomen #southernartist #refugee
  • We concur. Happy Sunday! @kunle_paints Found this aesthetically pleasing!
  • Raise your hand if you’re driving kids for music and dance lessons today. Above #henryosawatanner The Banjo Lesson.
  • His melanin series is phenomenal. Are you a fan? Work by @siridrisx
  • #talktuesday Wellllllllll........ Isn’t this a switch? “Sindika Dokolo, a Congolese art collector who runs a foundation that has organized the return of artifacts to Congo and Angola, said it was true that “a whole generation” of museum professionals, like curators and conservationists, needed to be trained “in most of the African countries.” But while that new generation was being trained, he said, it is European museums’ responsibility to make sure African audiences had access to the artifacts in their possession.”- @nytimes This article is about European museums that have been accused of not taking care of art and artifacts from African, Asian , etc countries. The thought is that maybe historical items will better preserved in the home countries of the work. What are your thoughts? Leave them below and let’s keep them respectful.
  • “ #marcbaptiste was the first photographer I knew to use saturated colors that one typically associates with the Caribbean. I’ve been in love with color ever since. “-@melissahunterdavis photography by @derrick_o_boateng BALLOONS . I gathered some African children around and asked them why they cry for their Mothers to buy them balloons and the these are the answers they gave me. One of the children, Kennedy told me the colors on the balloons attracts his eyes and looks fun to play with. Boat also said because it’s bouncy, smooth and beautiful than almost everything he has played with. Kofi also said he loves balloons because everyone is playing with it 😂 . #africanchildren #afropunk #art #shotoniphone #shotzdelight #liveoutdoors #livetocreate #photography #photogram #okayafrica #instagram #inspiration #theimaged #thevisualscollective #arteveryday #creativity #cnnafrica #collectivelycreate #bbcafrica #visualart #vogue #voguemagazine #bestart #mobileart #blackartist #blavity #supportblackart #magnumphotos #balloonart
  • “ Metaphorically speaking, I don’t believe in putting up boarders” - Yink Shonibare Via @shonibarestudio The @wellcomecollection opens the doors for ‘Being Human’ – an exhibition that explores what it means to be human in the 21st century. A central piece is Yinka Shonibare’s new work ‘Refugee Astronaut III,’ (2019). The exhibition is open to the public from 5th September. Image: Courtesy the artist and James Cohan Gallery, Photographer: Stephen White
  • What to do this weekend! If you’re in South Florida visit Nina Johnson to see work by the #floridahighwaymen Harold Newton, 24 x 36 in, oil on masonite, details at the 🔗 in the bio.

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